Finals Week
Frame Analysis: THE BLING RING

Third Essay

Topic and direction:

  • Write a critical analysis of mise-en-scène (m-e-s) in the films of Sofia Coppola based on course screenings, readings, and discussions. In particular, focus on the question of whether you can make the case for Sofia Coppola having a distinct visual style as a director and what are the elements of m-e-s and her uses of the camera that define that style.
  • As a way of explaining or illustrating your argument, your analysis should include a close reading of at least two (2) of the frame grabs from each film in the group posted to the blog for the Frame Analysis assignment. You may also use an image, or images, of your choosing.
  • Note that “critical” in this context means to be detailed in your analysis, not judgmental as to quality. Think about what is visually distinctive about Coppola's films.
  • As you select elements or points for discussion, consider the contributions of other "authors" to the look and feel of the films. For example, the directors of photography or the production designers and actors.

Additional guidelines and requirements:

  • As a formal academic paper, this essay should have a clear thesis, or central argument, to make. Sample prompts for this essay: “Mise-en-scène (m-e-s) in Sofia Coppola's films is defined by …”, or, “In Lost in Translation, Marie Antoinette and The Bling Ring, you can see Michel Sofia Coppola's visual style through the following uses of mise-en-scène (m-e-s)  …”
  • Essays should cite and document sources following these guidelines.
  • Films should be cited as follows. The first reference should provide a complete title and a date of release in parentheses, e.g., Lost in Translation (2003) (note that the film title is italicized). Subsequent references need only include the title. For films with longer titles, such as The Bling Ring, subsequent references can use a truncated title, as in Bling Ring. Film titles do not need to be included in the list of cited works.
  • Initial reference to mise-en-scène should use the full term. For subsequent references, “m-e-s” is acceptable. You can follow this guideline for all specialized terms.
  • There is no page requirement or limit for this paper, but use five to eight (5-8) as a guide.
  • Essays should be double-spaced with reasonably-sized fonts and margins (readability should be your goal). Number your pages.
  • Be specific in referencing names of filmmakers, characters, places, etc. IMDB and Wikipedia are both good sources for basic information about films and film productions.
  • For guidance on writing academic essays, refer to the resources I have on this page, including the WOU Writing Center. You can also consult with me. For longer questions or to have me review drafts, come to office hours. Shorter questions can be handled electronically via e-mail or on IM or over the phone (503-838-8296). You can also ask for advice via the class blog.

Due date and submission:

  • This essay is due by 11:59 pm on W 6/11. You will also have until that day and time to arrange an extension for full credit. Go here for details about Finals Week.
  • Submit your work electronically by the agreed upon date following these guidelines. For the assignment in the filename, use “Coppola."
  • The Director Essays are each worth fifteen (15) points towards your grade.

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